Concrete house

As he no longer worked as an architect after 1945, Van ’t Hoff has left behind only a modest body of work. His major works date back to the 1910s, after a trip to America in 1914 where he met Frank Lloyd Wright. By then, he had already completed his training as an architect in England and created his first designs. Wright provided the inspiration for a more abstract type of architecture. In 1914, Van ‘t Hoff designed Villa Henny in Huis ter Heide, which became known as the first concrete house in the Netherlands, ‘The first and likewise autonomous framing of Wright’s architectural concept in the Netherlands.’ (1) After becoming acquainted with Theo van Doesburg and J.J.P. Oud, he joined the avant-garde movement De Stijl in 1917.

De Stijl

Because, in his opinion, De Stijl showed insufficient social engagement, Van 't Hoff broke off this association just one year later. The consequences of the First World War, the housing shortage and poor living conditions reinforced his belief that radical changes in society were needed. Starting off as a socialist, he went on to embrace communism, with great expectations for an association between avant-garde and revolution. Eventually, he came to realise that De Stijl was purely and exclusively in the service of art.

New Milton

In 1923, he travelled to England where he made contact with anarchists and published socio-critical pamphlets. In the late 1920s, he lived in a commune in America for a while, returning to the Netherlands after a disagreement about a design commission. He settled in New Milton in England for good in 1937, living a secluded life working on an estate, making furniture and reading socially critical studies. His final achievement as an architect was the design of a residential commune, made in 1945 but never executed.

Panels

Van ’t Hoff destroyed most of his archive during the Second World War. However, he made eleven panels that together present an overview of his oeuvre. The NAI (then still the ‘NDB’) acquired these panels, various other archival records and his collection of books on architecture in 1973. In addition to the panels, several other documents are on display at the exhibition, such as photos of Van ’t Hoff from Piet Elling’s archive, documents and records of contemporaries such as Klaarhamer and Van Doesburg, as well as several issues of the De Stijl magazine.